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One of Sean Cody’s best powertops with one of Sean Cody’s best powerbottoms in one of the most intense bareback fuckfests of the year. Where to begin? Justin Owen’s deep-throating? Blake Mitchell’s balls-deep thrusts? Justin Owen’s dirty mouth? Blake Mitchell’s explosive cum shot? This scene has been re-watched so many times, I’ve lost count. Blake Mitchell Fucks Justin Owen (Helix Studios) Not just the best blowjob of 2016, but possibly one of the greatest blowjobs I’ve ever seen on film.Ħ. Griffin Barrows Sucks Gerard’s Cock (ChaosMen) It’s all the more impressive when you consider that it was filmed (by director Marc MacNamara) in a Costa Rica jungle-not exactly an optimal location for shooting gay porn.ħ. Tarzan Finale, starring Diego Sans, Colton Grey, Luke Adams, Tobias (Men.com)įlawlessly shot with a perfect cast, the Tarzan finale fourgy succeeds on every level.
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Ryan Rose Fucks Carter Dane (Falcon Studios)Ĭarter Dane’s bubble butt was arguably the most valuable gay porn asset of 2016, and muscle jock Ryan Rose’s dominance of it here was everything you could ask for in a gay porn scene.Ĩ. Vander And Rylan Bareback Each Other (ChaosMen)ĬhaosMen’s most iconic star and the studio’s best discovery of 2016 (whom we haven’t seen in months, so he could be retired, unfortunately) take turns fucking each other raw, with real chemistry and real internal creampies.ĩ.
#2016 BEST GAY PORNO WITH A PLOT FULL#
Click any image or link to watch the full scene.ġ0. Now, it’s time for Str8UpGayPorn’s 10 Best Gay Porn Scenes Of 2016.
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Their performances and scenes were simply too good to pass up, and they each had incredible years.įeel free to comment on your favorite scenes if they aren’t listed here (you’re all entitled to your opinions, even if you’re wrong). In fact, there were a few more than 10 that I had trouble ranking, so it’s worth giving an “honorable mention” to three in particular: Levi Karter’s Double-Penetration, JJ Knight Fucks Brent Corrigan, and Austin Wilde Creampies Jack Hunter.Īs you’ll see below, two performers (Blake Mitchell and Carter Dane) actually appear twice in two different scenes, which has never happened before. But, the gay porn scenes that were good definitely stood out.
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In 1958 Virginia, a reserved mechanic and construction worker named Richard Loving ( Joel Edgerton) married his pregnant girlfriend Mildred ( Ruth Negga).With the continuing rise of stolen porn on tube sites, horrible/unwatchable porn shot on cell phones, and buyouts of gay porn studios by straight porn conglomerates, it was a very bad year for gay porn scenes. to make their union official, and Richard bought an acre of land near Mildred’s family home on which he planned to build a house. They hoped that Richard’s mother would deliver their first child, and that they would live in peace in a beautiful, country setting. In the middle of the night, all of that changed.
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Officers broke into their home, arresting both Richard and Mildred, stating that their marriage license was no good in Virginia and that they had violated anti-miscegenation laws that stated that mixed-race couples were a violation punishable by jail time. With the assistance of a local attorney ( Bill Camp), the Lovings were released under one condition: they had to leave the state of Virginia and not return for 25 years. They had to leave their families, their land, the home that they wanted to build, and the future they had seen for themselves. As the world changed with the rise of the civil rights movement, an opportunity arose to use the Lovings' case to finally eliminate the racist laws still destroying lives in part of the country.įrom the opening scenes, there’s a tactile, lived-in quality to Nichols’ filmmaking. People are always doing something with their hands-cleaning a kitchen, laying brick for a house, working on a car, etc. And there’s always something in the air, from the sound of crickets to the palpable heat of the Virginia summer. The production design and direction is so beautifully detailed that people will take it for granted. The Loving home, the cars he works on, the jail cells in which they spend the night, etc.-every element has been carefully considered but not overly highlighted.
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It is a masterful example of how to use time and place in a film without drawing attention to it as so many award season movies tend to do. There’s nothing flashy here.Īnd that filmmaking aesthetic applies to the performances as well, two of the best acting turns you’ll see this year.